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OnLine Tour
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If you already have
Studio OnLine, then this section will be of less interest to you. The
purpose here is to introduce the program to potential new users. If you
have used Studio software before, you will recognise many of the
program's features, but there are some characteristics that are unique
to Online.
This will be a brief
tour, to introduce the new hardware, preview the steps required to
capture and edit a movie, and explore the output options for your final
movie.
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This
is the only hardware item required, and included in the kit. It connects
to a USB Port on your computer, and provides one Composite Video input,
and an Audio Input stereo pair. The total length of the lead is just
over 1.5 metres.
The electronics within the module
are powered from the USB Port, so no additional mains unit is required. |

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This is a typical view that you
will see when you open the program. The screen is divided into three
main areas -
The Album. - This is the
area to the upper left corner, that looks like a spiral-bound book.
There are many 'pages' to this book, that display all sorts of
information, from 'stills' taken from each scene of your captured movie,
to the various 'transitions' that you can use between clips, and a
collection of graphics and sound effects that you can add.
Movie Player - This is
shown in the top right corner, and contains a screen and transport
controls, that enable you to view sequences from your captured and
edited movies.
Movie Window - This
occupies the lower half of the screen, and is the area where you will be
working, creating your movie.
From time to time, the Album and
Movie Window are replaced with other tools and devices, as you will see
in a moment - it depends on what mode you are in. |
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This is the first step in creating
a movie - you have to capture your camcorder footage to the hard-disk.
The Movie Window has been replaced
by a device called the Diskometer. This enables you to choose
where you want the captured movie stored, and the settings for video and
audio quality.
At the sides of the Diskometer,
there are two 'drawers' that can be slid out, to reveal controls that
adjust the image brightness, contrast, and saturation, and level meters
for the audio.
The Album shows the first frame of
each scene captured from your camcorder, and is updated whilst the
capture process is under way. This is a facility unique to Pinnacle,
which they call 'SmartCapture'. This 'automatic scene detection' process
significantly eases the process of editing, as you will see in a moment.
You can monitor the live video
input on the Movie Player during the whole capture process. |
TimeLine View

StoryBoard View

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Having captured your movie, and
stored it safely on disk, you can now get down to the serious business
of knocking it into shape.
There are two main views you can choose
of your movie as you compose it - the TimeLine and StoryBoard views.
Either of these appear in the Movie Window. The
TimeLine view shows time horizontally (fully adjustable time
scale), and 5 tracks vertically. These are Captured Video + Captured
Sound, Overlay Titles, Sound Effects (and voice-overs), and Music. Objects are placed on
these tracks by 'drag & drop' method. For example, captured clips or
sound effects are 'dragged' from the Album, and 'dropped' on the
TimeLine track. Objects can be trimmed and re-ordered on the timeline
freely by simple mouse movements, and normal Windows 'cut & paste'
methods may also be used. Transitions
between clips (dissolves, wipes, etc) are very easy to add. Just drag
and drop the required effect from the Album into the join between clips. Titles
are composed in an embedded application called TitleDeko, and added on
the timeline like any other object. The titles can be full-screen or may
overlay your video. There is a huge variety in text effects that you can
employ, and transitions may also be used on titles to dissolve and wipe
them. You may also add still images as backgrounds. Music
may be added from any Windows audio source, and there is also a special
embedded application called SmartSound that will generate copyright free
music for you, tailored to any length you choose. Voice-overs
(narration) may also be added, using an embedded recording tool. All
sounds can have their volume levels 'profiled' dynamically during the
movie. This allows for some impressive soundtrack mixing to be used. The
StoryBoard view is a different way of viewing your movie. Each
scene (clip) of your movie is shown in time order, but not to a linear
time scale. Transitions are shown as appropriate between scenes. This is
a bit like looking at a Motorway Map, rather than a Street Map. It gives
you a good idea of the continuity of your movie. However, you will spend
most of your time working with the TimeLine. The StoryBoard view on the
left also shows the Album open on one of the Transition pages - this is
also available in TimeLine view. When
editing, the results of anything you do can be previewed in the Movie
Player. You have full control over what you see and hear at all times. |
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When
you are satisfied with your editing efforts, it will be time to 'Make'
your movie. In this mode, the Album is replaced with a Control Centre,
which gives you control over the way your movie is rendered, and a
choice of its destination. You
can choose to make .avi, .mpg, and .rm(Real Media) files to your
HardDisk, or share your movie over the Internet by uploading a specially
optimised file to a server on Pinnacles site, from which friends and
family can watch streamed Real Media versions of it. You
have control over many of the 'non-shared' formats, such as image size
and frame rate, and a choice of codec for .avi files. When
the movie rendering is complete, there is a short-cut from here to
Window's Media Player to check on the results as others will see them.
There is also a short-cut to your e-mail application to send the file
directly to someone. |
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The screenshots shown above
were taken from an editing session that I put together quickly for this
tour. If you would like to see and hear the results, as a movie, then
click on one of the links below. These files are in Zip format, to
prevent Window's players from trying to stream them in and play them online.
(A standard 56k Modem would not cope with the data rate). I must
emphasise that these files do not represent the full image quality that
Studio OnLine is capable of. They were captured at relatively low
resolution, which has been reduced further for the final files here.
Even so, you may be surprised at the quality of the images, given the
small file size (full resolution would have produced file at least 10x
as large), even when viewed at full screen by the player. (The Real
Player is particularly impressive).
To play them
after you have downloaded them to your disk, unzip them and then
double-click on the files. If you do not have the Real Player on your
system, then you can download it from here.
(Real Player 8 Basic is free, and is also included with Studio Online).
'In My Garden' - MPG1 format (3.5
MB Zip File - Approx 12mins download @ 56k)
'In My Garden' - Real Media Format
(1.7MB Zip File - Approx 6mins download @ 56k)
To give you a taste
of what 'streamed' video is like over a standard 56k modem link, click on
the link below to see a 160x120 Real Media version of the above movies, streamed
in real-time from
this website (nothing is downloaded to your hard disk). You will need to have
Real Player installed on your
machine for this to work.
'In
My Garden' - 160x120 RealMedia version streamed from my website.
The subject matter
for this movie is hardly 'Oscar' material. I used some test-footage that I
shot in my garden in 1989, the day I got my first Hi8 camcorder (Canon A1
Hi8). It is, however, adequate to show off several of the Studio OnLine
editor features -
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Transitions
- Several different transition types are included.
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Titles -
Two different styles of overlay-titles are used, and transitions
have been added to them (Dissolve and Slide).
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Still Image
- The opening title has a background of a still image 'grabbed' from
the first frame of the movie. This was rendered into a low-contrast
'pencil-sketch' in an Image Editing program. It was then pasted back
into the movie, and a dissolve added to transform it into a full-colour moving image, after the
title had dissolved.
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Sound Effects
- A 'birds' sound effect was added over the 'Red Hot Poker' scene.
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Music - An
appropriate SmartSound track was 'composed' to match the length of
the movie.
The original
camcorder footage was captured using 'Share' resolution - 240x176 @
12.5fps, 210kbps. The MPEG file was rendered in Low Bandwidth,
256kbps 192x144. The Real Media file was rendered using 240x180,
Sharpest Resolution, DialUpModem/DualISDN settings.
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